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  • Happy birthday to The Thin White Duke

    • 8 Jan 2012
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    • birthday boy george david bowie ed stewart ian mcculloch junior choice lady gaga music the thin white duke trent reznor
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    Thank you, Ed “Stewpot” Stewart.

    My introduction to David Bowie (who turns 65 today) came through Stewart’s Junior Choice radio show. In between plays of “Cinderella Rockefella” and “Ernie (The Fastest Milkman In The West)”, Stewart would often drop the needle on Bowie’s “The Laughing Gnome”. This novelty record from ’67 was hardly a signpost to the rest of Bowie’s career (well, perhaps LABYRINTH) but was good, childlike fun nonetheless. The NME certainly thought so. In 1990, Bowie announced that the set lists for his greatest hits Sound + Vision tour would be determined by phone votes from the public. The NME immediately launched a campaign to rig the result through its “Just Say Gnome” campaign. Regrettably, the phone vote plan was subsequently abandoned and the sight of Bowie returning to his earlier triumph never came to pass.

    It’s impossible to sum up Bowie’s career and influence on rock music in just a few paragraphs. His determination to constantly reinvent himself is remarkable, challenging his audience to keep up with his chameleon-like ch-ch-changes in fashion,music and persona. Whether it’s the folky psychedelia of “Hunky Dory”, the barren sonic landscapes of “Heroes” or the pure ‘80s big beat sheen of “Let’s Dance”, Bowie created an enviable back catalogue of commercially successful and critically acclaimed singles and albums. The list of rock and pop stars that admit they were heavily influenced by him - Boy George, Ian McCulloch, Brett Anderson, Trent Reznor - is long and distinguished. It’s easy to see how closely Lady GaGa has studied Bowie’s career and modelled herself on it.

    Bowie’s last proper album was 2003’s “Reality”. Since then, he’s made the occasional appearance in the media - singing with David Gilmour in 2006, playing Nikola Tesla in THE PRESTIGE - but it seems increasingly unlikely that he’ll return to music full-time. Or is it? With Bowie - you just don’t know what’s coming next. He’s reassuringly unpredictable.

    There are so many great songs to choose from but this - the recently rediscovered performance of “Jean Genie” on a ’73 Top Of The Pops - is certainly one of them. Ground Control to Major Tom: happy birthday.

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  • Bad Timing

    • 7 Feb 2010
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    • art garfunkel bad timing bitter moon criterion collection david bowie dvd film harvey keitel jeremy thomas keith jarrett mick jagger movie nicolas roeg ridley scott roman polanski stanley kubrick teresa russell the who tom waits
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    I've recently been filling in some of the gaps in my film knowledge - I've seen a lot of movies, just not on an Ebert or Maltin level. One film I've been wanting to see for a long time was  Bad Timing - Nicolas Roeg's notorious 1980 study of intense sexual attraction and is consequences. After being unavailable for a long time, the film finally appeared on DVD through the US' Criterion Collection and that's how I finally managed to catch up with it. 

    In the movie, Art Garfunkel plays a college professor who falls heavily for the free-spirited Theresa Russell, their obsessive relationship being viewed through a fractured timescale. When a drug-overdosed Russell is admitted to hospital, detective Harvey Keitel doesn't believe Garfunkel's version of events and starts investigating the hours leading up to the emergency. He soon discovers that there were no boundaries to Garfunkel's fascination with Russell and  

    To say Bad Timing had a chequered history is an understatement. Director Roeg was hot off The Man Who Fell To Earth and had recently been dropped from the Flash Gordon movie that was then in the works - that one's right up there with Ridley Scott's Dune as a grievously missed opportunity. The UK's Rank Organisation stepped in and financed his next project Illusions - which was later renamed Bad Timing. However, after seeing the completed movie, a horrified Rank promptly wiped their famous "man with gong" logo off the credits and buried it in small-scale distribution. Licensing the film's soundtrack also caused problems when it was eventually planned to be put out on home video - the music of The Who, Keith Jarrett and Tom Waits all feature in the film and are intrinsic to it - and so the film disappeared off the radar.

    As with several of Roeg's film's, Bad Timing is a chilly, distanced work, populated with generally unsympathetic characters - traits that share a lot with the movies of Stanley Kubrick. However, Nic Roeg is a master craftsman and the film is beautifully structured and photographed, taking in the sights of Vienna, Morocco and New York along the way. The acting is of a high standard - Garfunkel particularly acquits himself well, although he was in good hands with Roeg, who had previously coaxed strong performances from musicians such as  Mick Jagger in Performance and David Bowie in The Man Who Fell To Earth. It's an intelligent rather than emotional film - despite the passion shown on screen, it doesn't engage you as much as it should and you end up admiring Bad Timing, rather than loving it. It would make an interesting double-bill with Roman Polanski's Bitter Moon (1992), with which it shares a lot of themes.

    I'd recommend buying the Criterion version, as it has 2005 interviews with Nic Roeg, Theresa Russell and producer Jeremy Thomas. They talk at length about the background and making of  the project, which helps as there is no commentary on the film itself. There's a handful of deleted scenes and a gallery of photographs - plus the original trailer.  The film itself is in the original 2:35:1 ratio and is in very good condition. You can find it here at Amazon.com. 

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